● Live Data
Future Retro · Keyboards and Synths
Future Retro Vectra 29-Keys Synthesiser (B-STOCK) Hybrid
£1427.82Fair Value1 stores tracked
Buy Signal
Price near historical average — neutral outlook
Confidence: 50/100
RSI (14)
—
Need 15+ data points
Volatility (ann.)
—
Need more data
30d Momentum
—
Need 30+ data points
Price Position
—
No 90d range data
EMA 20
—
EMA 50
—
Need 50+ data points
90d Low / High
—
30d Forecast
—
→ Stable
Product Fundamentals
- ***B-STOCK: Box opened, product in perfect working order*** Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible. Supplier's Notes: The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities. The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices. The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts. It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters. The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument. The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house. The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation. OSCILLATORS (1-4) Frequency Range: <
- 0.01 Hz to 20.00 kHz Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated Pulse Width Range: 1% to 99% Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope Digital Waveforms: 500 Number of Digital Waveforms per Oscillator: 2 Waveform Modulation Types: PWM, Slice, Fade Waveform Start: 0 to 255 samples Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope Waveform Modulation Amount: 0 to 100 Octave Range: -7 to +5 Pitch Tuning: Semitones Fine Tuning: 128 steps per semitone Constant Beat Detuning: -/+5.00Hz Paraphonic Modes: 8 total Sync: Off/On, 0-360 degrees Glide Time per Oscillator: 0ms to 14.7 seconds Key Tracking: On/Off OSCILLATOR FREQUENCY MODULATION (1-4) Modulation 1 Source: LFO Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope Modulation 2 Source: Envelope Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope Total Modulation Range: 0.5 to 10 octaves Individual Modulation Amounts: -99 to 100 LFO (1-4, Filter) Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random Digital Waveforms: 500 Waveform Start: 0 to 255 samples Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations) Fine Tuning: 128 steps per semitone Key Tracking: On/Off Sync: Off/On, 0-360 degrees Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope, Filter LFO Total Modulation Range: 1 to 10 octaves Modulation Amount: -99 to 100 41 ENVELOPES (1-4, Filter, Amplifier) Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop Normal Envelope Contours: 5 One-Shot Envelope Contours: 4 Looping: On/Off with repeat time Envelope Times per Stage: 0ms to 14.7 seconds Sustain Level: 0 to 100% Key Sync: on/off (retriggering) Attack Reset: Off/On Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y MIXER Channels: 4 Audio Sources: Oscillator (1-4) Oscillator (1-4) controlled by Envelope (1-4) Oscillator (1-4) controlled by LFO (1-4) Ring-Modulation of Osc 1&
- 2, Osc 2&
- 3, Osc 3&
- 4, Osc 4&
- 1 White-Noise White-Noise controlled by Envelope (1-4) Pink-Noise Pink-Noise controlled by Envelope (1-4) Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated Automix X:Y Location Stages: 4 Automix Stage Times: 0ms to 14.7 seconds Mod Mix X:Y Location Stages: 2 Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope, Filter Envelope Mod Mix Amount: 0 to 100 Output Gain: 1.00x to 5.00x ANALOG FILTER Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch Filter Frequency Range: approximately 20 Hz to 20 kHz Resonance: 0 to 100 Key Tracking: Off/On Modulation 1 Source: LFO Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4, Filter Envelope Modulation 2 Source: Envelope Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4, Envelope-4 Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2, Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope Individual Modulation Amounts: -99 to 100 42 ANALOGUE AMPLIFIER (see also Envelope parameters) Additional Envelope Type: Drone Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod- Wheel, Stick X/Y, LFO-4, Envelope-4 KEYBOARD / SEQUENCER Keys: 29 Scales: 29 Linear Transpose: -12 to +16 Scale Transpose: -12 to +16 notes Octave Reiterations: -3 to +3 Tempo: 10 to 250 BPM Swing: 50% to 75% Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto Max Steps per Sequence: 16 Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain) Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4 Directions: Down, Up/Down, Up, Random, (plus 25 complex directions) Loop Point: 1 to 16 steps MEMORY Max Number of Sounds and Sequences: 999 Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File MIDI Channels: 1-16 MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel, MIDI Sync: Clock, Start, Stop OTHER Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5" Unit Weight: 5.0 lbs Power: 15V DC (centre-pin positive) rated at 1 Amp current.
GearDeals Intelligence · Data from 0 historical price points · Analysis is informational only, not financial advice
