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Old Blood Noise Endeavors · Effects and Pedals
Old Blood Noise Endeavors Parting Glitch Delay Reverb
£334.71Fair Value1 stores tracked
Buy Signal
Price near historical average — neutral outlook
Confidence: 50/100
RSI (14)
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Need 15+ data points
Volatility (ann.)
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30d Momentum
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Need 30+ data points
Price Position
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No 90d range data
EMA 20
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EMA 50
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Need 50+ data points
90d Low / High
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30d Forecast
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→ Stable
Product Fundamentals
- ***B-STOCK: Box opened, light surface marks, product in perfect working condition*** In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises. Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it's up to you and Parting, together. Controls Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse. Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance. Depth sets the depth of the LFO. Shape sets the LFO shape: Sine
- Square
- Reverse Saw
- Saw
- Random Sine
- Random Square
- Envelope Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle. Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up. Glitch creates various clock subdivisions. Time sets the timing of the delay/reverb, as well as the reverse. Filter sets the cutoff point of the post-dissolve filter. Mix sets the blend of dry and wet signal. Aux switch for tap tempo, half speed, or preset switching. Soft-touch On/Off footswitch with relay switching for minimal switch noise
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